Pre-Order Our Summer Zine

Ahh, it’s crazy y’all. We tried a new printer this time and we are so pleased with the bright colors and glossy pics.

Only did a short run of 30 copies for now but we’ll probably print more for live events as the season kicks off. Keeping our prices under $10 for the youth so head over to Etsy to see the deets on this fun and fresh #blkgrlswurld zine 😘

NYC Feminist Zine Fest @ Barnard 3/7/18

Catch us tabling at the next NYC Feminist Zine Fest this March 😀
We’ll have new merch, zines, coloring books and stickers. (Gonna hide our own wallet to keep us from buying all the other cool things women have been making this season, lol.) I’m gonna go broke for sure!
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Saturday, March 7, 2015
12 – 6 PM
James Room, 4th Floor Barnard Hall
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“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work. Home of the renowned Barnard Zine Library, the College is the ideal site to feature some of the boldest, most original and creative examples of micropublishing. The event is coordinated by Barnard’s zine librarian Jenna Freedman, Jordan Alam ’13, and other zine makers, including Feminist Zine Fest cofounder Elvis Bakaitis, author and artist of the Homos in Herstory minicomics series. Free tables are available to zine-makers interested in exhibiting their work” https://feministzinefestnyc.wordpress.com/

Photo Apr 05, 8 07 47 PM

#blkgrlswurld, Risograph prints, 2017

#Blkgrlswurld featured in Tom Tom Magazine :D

Yassss! Tom Tom is a magazine for female drummers and musicians, and we’ve been featured in their 31st issue! It’s based in NYC and it does so much great work inspiring women musicians and kicking serious ass in the rock scene. We are so honored they took an interest in our Black Girls Dreaming Coloring Book and chose to feature a review of that work by writer, Lola Johnson. Thank you Tom Tom Mag 😀

You can order their latest issue Online HERE

Print versions are available across the nation in shops like Barnes and Nobel. Check out more of the funky femme talent they’ve been dishing at http://tomtommag.com/

The Acacia Strain Deliver A Properly Heavy Summer

If you ever catch us on Instagram, you’ll know we’ve been headbanging at the heaviest NYC metal shows all summer. Much of it having to do with saying goodbye to our fav venue, Webster Hall, set to close for the next 18 months and less likely to book heavy music when it reopens. Another safe haven for new metalbands lost to corporate takeovers, grr.

I’d been patiently waiting for east coast band, The Acacia Strain to finish up the Vans Warped Tour this year and bring on the jams to NYC, when I heard about a new album they were dropping in late June. Yassss. Idunno what it is about doomy metalcore music, but what I like most about their style are the playful moments in their songs when the time signatures get screwy and unpredictable. This doesn’t happen as often as say, a composition from The Dillinger Escape Plan, but I enjoy the surprise when Acacia Strain explores this.

 

I found their newest album, Gravebloom to be their most polished project so far. A quality to the recording and mastering that leaves previous works like Coma Witch sounding more scratchy unfinished somehow. Not that there’s anything wrong witha rougher sound but, its nice to hear an artist tightening up their craft and focusing on the best elements of their songwriting.

Nothing trumps hearing their songs live, but Gravebloom has some great moments – enough to be added to our #blkgrlswurld Spotify playlist.

Songs we enjoyed from this album include, “Bitter Pill”, “Abyssal Depths”, and “Cold Gloom.” They each have a churning heaviness in their rhythm, the sort that makes you wanna stomp around the mosh pit like some 100ft Godzilla…or you know, in your living room wearing pajamas while growling at your cat. For me, this sort of metal is cathartic, calming and allows me to rest. I realize others have more stimulating reactions, lol- the point is, The Acacia Strain’s latest work is quite satisfying and a great soundtrack for our summer in this big ‘ol city.

I look forward to catching them touring this live.

##blkgrlswurld

Zine Event June 27th @ Schomburg Center for Research in Black Culture

Ahhh! Our fav Harlem spot to uncover Black history is hosting a zine event this week and we’ll have a table 😀 😀 😀 Tuesday, June 27, 2017, Zine Fair from 4-6pm followed by Panel Talk at 6:30 p.m.

We love every chance to expose young brown folks to alternative music and media that represents and validates our shared quirky, sometimes geeky interests. #PUNXSOFCOLOR

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Zines: Elaborate Disruption and Black Creativity

“The resurgence of zines—self-published limited-distribution works—is stemming the tide of erasure, disrupting publishing, and offering creative spaces for diverse voices within marginalized communities. Remembering zines like FIRE!!, created in 1926 and “devoted to the young negro artist,” author Steven G. Fullwood will join in conversation with contemporary zine creators Devin N. Morris (3 Dot Zine), Nontsikelelo Mutiti (Nontsi), Kevin Harry (KHzines), and Jermel Moody (maple:koyo) to elaborate on their zine-making practices and impact on publishing and creativity. The program will also feature a marketplace of zines selected in collaboration with Morris, Moody, and the Schomburg Shop.

FIRE!! contributors included Harlem Renaissance figures Langston Hughes, Zora Neale Hurston and Aaron Douglas.

@SchomburgCenter #SchomburgZineFair

First come, first seated

For free events, we generally overbook to ensure a full house. All registered seats are released 15 to 30 minutes before start time, so we recommend that you arrive early.”

Schomburg Center for Research in Black Culture | 515 Malcolm X Boulevard | New York, NY 10037

#heavygirlsloveheavymusic

 

Music, Zines & Riso Machines

Phew! We spent the 1st four months of this year printing and editing new work and now we’re ready to share it with you \m/ this is the 1st year my sibs and I have Really dug deeply into the purpose of the zine and what inspires us to keep it going. Up until this season, we’d usually only focus on the project 2-3 times a year for a few weeks, collecting drawings and writings from our sketchbooks and building something collaborative.  In January we heard about a Zine making/small press course at the School of Visual Arts and jumped in with both feet!

So What is a Risograph?

Well, you could term it one of those things that’s so mundane, its cool again. Risograph is a brand of digital duplicators manufactured from Japan since the 1980s. Intended for high volume office printing like Xerox machine were, they have mainly been marketed to law firms and city offices where 1000s of text heavy pages are printed daily.

Printmakers and designers have warmed up to these machines due to their archival ink quality and soft textures that can occur from the rice paper master (A fine stencil the ink passes through) the machine creates to duplicate files. With soy based inks and rice paper stencils, its quite the toxic free endeavor in comparison to the intense chemicals, varnishes and alcohols many of us have been managing in traditional printmaking processes.

The average riso machine usually only holds 2 ink colors at a time, so 4 color printing requires registering your prints and switching out ink tanks. At times its hard to imagine business folk in suits actually get this manual in an office but thats still its main function. LOL!

During my season at the SVA Riso Lab, I printed on various weights of paper and sticker sheets. Overall I found the process of editioning with these machines really fast and efficient, but at the same time lacking the monotype flexibility I’m able to accomplish during a screenprinting session. I gotta admit I missed getting a little dirty in the shop, but that’s my printmaker side I guess. Working with these machines in a clean environment created a medicinal setting. Where’s the screen emulsion, litho stone sander and liquid screen filler?

In dedicating a good few months to developing the zine at the School of Visual Arts Riso Lab, projects were difficult at times, and we uncovered the best parts of zine making. The Music! Our zine will always be a way to share our excitement for heavy music, we live it and breathe it from the way we dress, to the things we read, write and of course stream on our stereos. We are proud punks of color who cant help but talk your ear off about the latest bands and albums and we hope our readers get as geeked about this stuff as we do. For as long we rock to this music and mosh out at shows, there will be  zine. *See you in the pit!*

Upcoming Events Featuring Our Books:

#SummoningtheArchive Print Fest @ NYU |  Saturday, May 13th from 2-5pm at 20 Cooper Square. Details

BABZ Fair ( Bushwick Art Book & Zine Fair) | Friday, June 2, 7–9PM: by invitation only
Saturday, June 3, 1–7PM: free & open to the public
Sunday, June 4, 1–7PM: free & open to the public

Where:
Knockdown Center
52-19 Flushing Ave
Queens, New York 11378

 

Zine Fair at MoMA PS1 Music Fest, March 26th

MoMA PS1 and Other Music Present
Come Together: Music Festival and Label Market

Sunday, March 26th, 2017
12PM-6PM

Coming up next week, #Blkgrlswurld Zine will join the Zine tables lead by Suffragette City art collective at the record label fair taking place during the music fest. Both labels and zinesters will be selling underground wares full of indie funk and style. We’ll have the latest Riso prints of our Zine and special variant editions.

*Access to the label/zine fair is free with museum admission. Events and screenings in the VW Dome are ticketed, $13-$15

Collaborative performances in the VW Dome celebrate the intersecting communities that make for a vibrant music scene. With Black Quantum Futurism (Moor Mother & Rasheedah Phillips), Matana Roberts, GENG, Hisham Akira Bharoocha, Brian Chase, Ryan Sawyer, Robert AA Lowe, Greta Kline, a.k.a. Frankie Cosmos, and more.

Panel discussions feature some of the most innovative individuals in music, including Ric Leichtung, Matt Conboy, Douglas Sherman, Esneider Arevalo, Delphine Blue, Brian Turner, and Francois Vaxelaire.

The New York City premiere of the film A Life in Waves, follows the life and innovations of composer and electronic music pioneer Suzanne Ciani, directed by Brett Whitcomb and written and edited by Bradford Thomason.