Music, Zines & Riso Machines

Phew! We spent the 1st four months of this year printing and editing new work and now we’re ready to share it with you \m/ this is the 1st year my sibs and I have Really dug deeply into the purpose of the zine and what inspires us to keep it going. Up until this season, we’d usually only focus on the project 2-3 times a year for a few weeks, collecting drawings and writings from our sketchbooks and building something collaborative.  In January we heard about a Zine making/small press course at the School of Visual Arts and jumped in with both feet!

So What is a Risograph?

Well, you could term it one of those things that’s so mundane, its cool again. Risograph is a brand of digital duplicators manufactured from Japan since the 1980s. Intended for high volume office printing like Xerox machine were, they have mainly been marketed to law firms and city offices where 1000s of text heavy pages are printed daily.

Printmakers and designers have warmed up to these machines due to their archival ink quality and soft textures that can occur from the rice paper master (A fine stencil the ink passes through) the machine creates to duplicate files. With soy based inks and rice paper stencils, its quite the toxic free endeavor in comparison to the intense chemicals, varnishes and alcohols many of us have been managing in traditional printmaking processes.

The average riso machine usually only holds 2 ink colors at a time, so 4 color printing requires registering your prints and switching out ink tanks. At times its hard to imagine business folk in suits actually get this manual in an office but thats still its main function. LOL!

During my season at the SVA Riso Lab, I printed on various weights of paper and sticker sheets. Overall I found the process of editioning with these machines really fast and efficient, but at the same time lacking the monotype flexibility I’m able to accomplish during a screenprinting session. I gotta admit I missed getting a little dirty in the shop, but that’s my printmaker side I guess. Working with these machines in a clean environment created a medicinal setting. Where’s the screen emulsion, litho stone sander and liquid screen filler?

In dedicating a good few months to developing the zine at the School of Visual Arts Riso Lab, projects were difficult at times, and we uncovered the best parts of zine making. The Music! Our zine will always be a way to share our excitement for heavy music, we live it and breathe it from the way we dress, to the things we read, write and of course stream on our stereos. We are proud punks of color who cant help but talk your ear off about the latest bands and albums and we hope our readers get as geeked about this stuff as we do. For as long we rock to this music and mosh out at shows, there will be  zine. *See you in the pit!*

Upcoming Events Featuring Our Books:

#SummoningtheArchive Print Fest @ NYU |  Saturday, May 13th from 2-5pm at 20 Cooper Square. Details

BABZ Fair ( Bushwick Art Book & Zine Fair) | Friday, June 2, 7–9PM: by invitation only
Saturday, June 3, 1–7PM: free & open to the public
Sunday, June 4, 1–7PM: free & open to the public

Where:
Knockdown Center
52-19 Flushing Ave
Queens, New York 11378

 

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The Problem with Shea Moisture

Brands still have a lot to learn about engaging on social media.

Its been about 24 hours since Shea Moisture, owned by Sundial Brands, got dragged through Twitter and Facebook for their poorly executed ad promoting the use of their hair care products on mainstream glossy and eurocentric hair types.

My interest is to take a closer look at their strategy to clean up the mistake since yesterday. It already appears they have gone to media outlets more so than the online customer base for setting the record straight. (FastCo, WashingtonPost, Huffpost) While they did release a detailed apology and pull the ad on Monday, the initial slap in the face continues to reverberate across the Internet, hitting Tumblr, Youtube and Instagram in waves of reaction and counter reaction from white women who use these products.

How does a company survive this sort of crisis when their products are specifically promoted online by both paid and unpaid supporters passionate about the brand and would never have grown this much in the past 10 years if not for the online natural hair community recommending the product line to all of their friends and followers?

Authenticity is critical to surviving the social media universe. If brands ever come across as superficial, insincere or manipulating, followers will pick up on it and drop them. Now, authenticity doesn’t always equal Truth. Sometimes a community will circle around an attitude or ideal, even if the content posted lacks any true data or fact.


Shea Moisture found itself caught up in ethnic erasure towards going mainstream when their actual follower base is a dedicated niche focused on validating the act of wearing natural African hair as a finished and complete hairstyle. Black women’s hair remains as political as ever, with thousands of us struggling to prove to our employers, families and partners that the hair growing naturally out of our head can stand on its own without the hyper use of chemicals or dyes to force it into European beauty standards.

So what now?

If Shea Moisture wants to survive this, they need to put up or shut up. Acknowledge and promote the unpaid bloggers, YouTubers and Instagram naturalistas who have supported them over the years and authentically show that Black women are a customer base they truly appreciate and will continue to support as they grow and expand to other markets. (Less talking more images, vids, podcasts, roundtables)

They need to connect 2 messages, that 1# They support and always will support healthy African hair care and 2# This is a global movement for healthy hair care for all women to be accepted for their non-traditional hair.

This sort of messaging transition has to take place in steps, and it won’t help to use the same blond models out of a John Frieda commercial to support a multi-ethnic community. The core base will not accept further erasure when they already feel that consistently from most beauty brands (from make up to lingerie, most companies don’t sell nude colors inclusive to Black consumers).

This is a chance for them to prove they want to globally validate coily, curly hair and the voices of WOC who rock it as beautiful and legitimate. But will they stand by Black women in more than just words? Let’s see how the drama shakes out in the coming weeks – can they turn this around?

*P.S. Just in case here’s a list of 20 Black owned hair care lines you can choose to support*

*P.P.S. Can I just say AS I AM is Really expensive? I want to try it but..damn! $$$*

#blkgrlswurld

Zine Fair at MoMA PS1 Music Fest, March 26th

MoMA PS1 and Other Music Present
Come Together: Music Festival and Label Market

Sunday, March 26th, 2017
12PM-6PM

Coming up next week, #Blkgrlswurld Zine will join the Zine tables lead by Suffragette City art collective at the record label fair taking place during the music fest. Both labels and zinesters will be selling underground wares full of indie funk and style. We’ll have the latest Riso prints of our Zine and special variant editions.

*Access to the label/zine fair is free with museum admission. Events and screenings in the VW Dome are ticketed, $13-$15

Collaborative performances in the VW Dome celebrate the intersecting communities that make for a vibrant music scene. With Black Quantum Futurism (Moor Mother & Rasheedah Phillips), Matana Roberts, GENG, Hisham Akira Bharoocha, Brian Chase, Ryan Sawyer, Robert AA Lowe, Greta Kline, a.k.a. Frankie Cosmos, and more.

Panel discussions feature some of the most innovative individuals in music, including Ric Leichtung, Matt Conboy, Douglas Sherman, Esneider Arevalo, Delphine Blue, Brian Turner, and Francois Vaxelaire.

The New York City premiere of the film A Life in Waves, follows the life and innovations of composer and electronic music pioneer Suzanne Ciani, directed by Brett Whitcomb and written and edited by Bradford Thomason.

Saturday Night Feels 

It’s finally starting to warm up outside our Harlem window. Dusk has settled and I need a cup of hot green tea after watching the new Baldwin doc, ‘I Am Not Your Negro.’ Here’s what I strike up on the stereo to settle the night and my racing thoughts.

Ludicra, As Cities Burn, Deftones everything and Puscifer, James’ latest project among Tool & A Perfect Circle.

Brown Skin is Beautiful ♥️

TAG YOUR FRIENDS!!! NEW YOUTUBE VIDEO ON MY CHANNEL (Link in bio) Dark skin Inspiratorial feat the lovely @glowprincesss she's literally#goals __ Products Used: __ Eyes: @kyliecosmetics burgundy palette @anastasiabeverlyhills brow wiz in ebony and brow set in auburn @anastasiabeverlyhills glow kit in sun dipped @makeupgeekcosmetics eyeshadow (black) @lapaigetrends Rosie lashes ___ Face: primer @gleam_melaniemills @blackopalbeauty foundation stick in suede mocha @lagirlcosmetics pro concealer in toast @ajcrimson foundation in 8 for contour @sachacosmetics buttercup powder for undereye setting @anastasiabeverlyhills glow kit in sundipped __ Lips: @anastasiabeverlyhills in American doll & lined with @maccosmetics nightmoth liner @makeupforblackwomen @fakeupfix @wakeupandmakeup @hudabeauty @1minutemakeup @makeupformelaningirls @allmodernmakeup @sdeventsworld #inspiratorials

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NYC Women’s March & Other Nearby Events

I cannot wait to march this Saturday, Jan. 21st in NYC to stand up against the most dangerous political leadership of my generation.

girl

There are dozens of events going down around NYC to come together in resistance and to at least let these powers know that the people will be watching them very closely, and pushing back on the things that directly hurt our communities. Below are a few events we’ve heard about:

  • Women’s March NYC, Jan. 21st Saturday. People will be meeting at staggered times throughout the day so as not to exceed capacity.
    • From 11am-4pm we will march from Dag Hammarskjold Plaza to Trump Tower on 5th Ave. More info
  • Thursday, Jan. 19th. A protest outside Trump International Hotel in Columbus Circle planned by Michael Moore, Mark Ruffalo, and Alec Baldwin is scheduled for 6 p.m. the night before the inauguration. More info
  • Also on Thursday, Jan. 19th will be an anti-fascism concert at Symphony Space on the upper west side, 96th and Broadway. Tix $30
    • An extraordinary evening of artistic passion, urgent commitment, hosted by five time Grammy winner Arturo O’Farrill, this live streamed concert takes place the night before the scheduled inauguration.
  • On Friday, Jan. 20 a march will take place at Foley Square at 5pm. NYC Stand Against Trump Rally and March. More Info
  • Other artists and cultural institutions are also coming together for a Jan. 20 Art Strike. They feature an online schedule of anti-inauguration activities in NYC taking place at institutions like the New School, Whitney Museum of American Art and CUNY.

Let’s join together and work together to create opportunities for everyone to have a voice and improve their lives.

penny-proud

 

#Blkgrlswurld @ Brown Paper Zine Fair Jan. 28-29, 2017

#Blkgrlswurld ZINE will be selling our latest editions and coloring books Jan, 28-29th, 2017 at the Brown Paper Zine and Small Press Fair for Black and PoC Artists. The free event takes place at the Museum of Contemporary African Diasporan Arts (MoCADA). Details below.

MoCADA (80 Hanson Place, Brooklyn, NY) – 1st and 4th Floors Free RSVP

We are also thrilled to participate in a panel discussion on Sunday during the zine fair, moderated by Kimberly Drew. Social Sunday: Black Ink Zine Panel Sunday, January 29, 2:30-4pm Free RSVP

3 Dot Zine presents its first installment of the Brown Paper Zine and Small Press Fair for Black and PoC Artists as a part of programming for Diagram of the Heart, by Glenna Gordon, currently on view at the Museum of Contemporary African Diasporan Arts (MoCADA).

3 Dot Zine is a collaborative submission based zine founded by artist Devin N Morris in 2014 as a way to extend the reach of important dialogues Morris was having with his peers.Throughout his time participating in zine fairs and festivals in New York, Baltimore, and Philadelphia, he noticed a lack of Black and People of Color (PoC) representation within these environments, which stood in stark contrast to the diverse independent publishing communities Morris found himself apart of.

As such, the Brown Paper Zine and Small Press Fair was created to provide a space where the creative efforts of Black and PoC artists working in print mediums could be exposed and proliferated. Bringing together established zine makers, small presses, and artists working in print mediums to MoCADA, the fair asks each participant to seek out new and young artists to showcase their zines, or facilitate the production of their print-based work. In addition to encouraging young artists to use zines as a viable, independent avenue for sharing their work, this effort also acquaints young makers with the communities that fairs create.

The Brown Paper Zine and Small Press Fair will occupy multiple locations within the MoCADA building as the weekend boasts inclusive programming in the way of; the Women’s Healing Space, a writing workshop and a space for women to check in, be seen, heard and affirmed while in community with each other; a screening of #BlackGirlLit: Between Literature, Performance & Memory, a documentary exploring “black woman-ness” and the literary traditions that inform it, featuring artists Ayana Evans, Kal Gezahegn, Dell M. Hamilton, Tsedaye Makonnen, Helina Metaferia and Marceline Mandeng; Social Sunday: Black Ink, a panel discussion interrogating the world of self-publishing and the instance where inspiration leads to action; and more to be announced.


PARTICIPANTS:

3 Dot Zine
Blk Grls Wurld Zine
Brown & Proud Press
Brown Recluse Zine Distro
Codify Art
Collectiva Cosmica
DATE NIGHT
Endless Editions
La Chamba Press
La Liga Zine
Lambey Press
L’ENCHANTEUR
Maroon World
MoCADA Shop
Mohammed Fayez
No Shame Distro
Nontsikelelo Mutiti
Oxford Plain
PJ Gubatina Policarpio
RAFiA SANTANA
Red Hook Editions
True Laurels Magazine
Yellow Jackets Collective