The Acacia Strain Deliver A Properly Heavy Summer

If you ever catch us on Instagram, you’ll know we’ve been headbanging at the heaviest NYC metal shows all summer. Much of it having to do with saying goodbye to our fav venue, Webster Hall, set to close for the next 18 months and less likely to book heavy music when it reopens. Another safe haven for new metalbands lost to corporate takeovers, grr.

I’d been patiently waiting for east coast band, The Acacia Strain to finish up the Vans Warped Tour this year and bring on the jams to NYC, when I heard about a new album they were dropping in late June. Yassss. Idunno what it is about doomy metalcore music, but what I like most about their style are the playful moments in their songs when the time signatures get screwy and unpredictable. This doesn’t happen as often as say, a composition from The Dillinger Escape Plan, but I enjoy the surprise when Acacia Strain explores this.

 

I found their newest album, Gravebloom to be their most polished project so far. A quality to the recording and mastering that leaves previous works like Coma Witch sounding more scratchy unfinished somehow. Not that there’s anything wrong witha rougher sound but, its nice to hear an artist tightening up their craft and focusing on the best elements of their songwriting.

Nothing trumps hearing their songs live, but Gravebloom has some great moments – enough to be added to our #blkgrlswurld Spotify playlist.

Songs we enjoyed from this album include, “Bitter Pill”, “Abyssal Depths”, and “Cold Gloom.” They each have a churning heaviness in their rhythm, the sort that makes you wanna stomp around the mosh pit like some 100ft Godzilla…or you know, in your living room wearing pajamas while growling at your cat. For me, this sort of metal is cathartic, calming and allows me to rest. I realize others have more stimulating reactions, lol- the point is, The Acacia Strain’s latest work is quite satisfying and a great soundtrack for our summer in this big ‘ol city.

I look forward to catching them touring this live.

##blkgrlswurld

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Zine Event June 27th @ Schomburg Center for Research in Black Culture

Ahhh! Our fav Harlem spot to uncover Black history is hosting a zine event this week and we’ll have a table 😀 😀 😀 Tuesday, June 27, 2017, Zine Fair from 4-6pm followed by Panel Talk at 6:30 p.m.

We love every chance to expose young brown folks to alternative music and media that represents and validates our shared quirky, sometimes geeky interests. #PUNXSOFCOLOR

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Zines: Elaborate Disruption and Black Creativity

“The resurgence of zines—self-published limited-distribution works—is stemming the tide of erasure, disrupting publishing, and offering creative spaces for diverse voices within marginalized communities. Remembering zines like FIRE!!, created in 1926 and “devoted to the young negro artist,” author Steven G. Fullwood will join in conversation with contemporary zine creators Devin N. Morris (3 Dot Zine), Nontsikelelo Mutiti (Nontsi), Kevin Harry (KHzines), and Jermel Moody (maple:koyo) to elaborate on their zine-making practices and impact on publishing and creativity. The program will also feature a marketplace of zines selected in collaboration with Morris, Moody, and the Schomburg Shop.

FIRE!! contributors included Harlem Renaissance figures Langston Hughes, Zora Neale Hurston and Aaron Douglas.

@SchomburgCenter #SchomburgZineFair

First come, first seated

For free events, we generally overbook to ensure a full house. All registered seats are released 15 to 30 minutes before start time, so we recommend that you arrive early.”

Schomburg Center for Research in Black Culture | 515 Malcolm X Boulevard | New York, NY 10037

#heavygirlsloveheavymusic

 

BABZ Fair 2017

Yaaasss, we’ll be tabling at this fair, stop by for our newest custom zine edition debuting this month 😀

BLONDE ART BOOKS

BABZ Fair (formerly known at the Bushwick Art Book & Zine Fair) is a weekend long event that features small press art and poetry publishers, and individual artist projects, alongside a program of performance, readings, and workshops.

The 5th annual BABZ Fair, the first at Knockdown Center, will be taking place Friday, June 2 through Sunday, June 4, 2017.

Over the years the BABZ Fair has grown dramatically and this year the fair will feature art books and zines by over 100 publishers and artists from across the country.

This year we are collaborating with artist Andrea Arrubla to produce the weekend programming. The full program schedule can be found below – including the new expanded program series, and two days of workshops for writers, artists and KIDS!

FACEBOOK INVITE

FAIR DATES & TIMES:
Friday, June 2, 7–9PM: by invitation only
Saturday, June 3, 1–7PM: free &…

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Uncovering the Sci-fi Trope of Women Who Are ‘Born Sexy Yesterday’

Aw man, check out this project by Jonathan McIntosh of Pop Culture Detective, as he dives into a common trope of female characters who have the minds of children but the bodies of mature women.

Its certainly a repetitive trope I was exposed to early on as a tween reader of Manga like Chobits and Inuyasha. As we push for more gender equality and diversity in cinematic roles, we still need to be critical of the roles allowed screentime. The Bechdel Test comes to mind…take a look!

“The Bechdel Test, sometimes called the Mo Movie Measure or Bechdel Rule is a simple test which names the following three criteria: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. The test was popularized by Alison Bechdel‘s comic Dykes to Watch Out For, in a 1985 strip called The Rule.”

Music, Zines & Riso Machines

Phew! We spent the 1st four months of this year printing and editing new work and now we’re ready to share it with you \m/ this is the 1st year my sibs and I have Really dug deeply into the purpose of the zine and what inspires us to keep it going. Up until this season, we’d usually only focus on the project 2-3 times a year for a few weeks, collecting drawings and writings from our sketchbooks and building something collaborative.  In January we heard about a Zine making/small press course at the School of Visual Arts and jumped in with both feet!

So What is a Risograph?

Well, you could term it one of those things that’s so mundane, its cool again. Risograph is a brand of digital duplicators manufactured from Japan since the 1980s. Intended for high volume office printing like Xerox machine were, they have mainly been marketed to law firms and city offices where 1000s of text heavy pages are printed daily.

Printmakers and designers have warmed up to these machines due to their archival ink quality and soft textures that can occur from the rice paper master (A fine stencil the ink passes through) the machine creates to duplicate files. With soy based inks and rice paper stencils, its quite the toxic free endeavor in comparison to the intense chemicals, varnishes and alcohols many of us have been managing in traditional printmaking processes.

The average riso machine usually only holds 2 ink colors at a time, so 4 color printing requires registering your prints and switching out ink tanks. At times its hard to imagine business folk in suits actually get this manual in an office but thats still its main function. LOL!

During my season at the SVA Riso Lab, I printed on various weights of paper and sticker sheets. Overall I found the process of editioning with these machines really fast and efficient, but at the same time lacking the monotype flexibility I’m able to accomplish during a screenprinting session. I gotta admit I missed getting a little dirty in the shop, but that’s my printmaker side I guess. Working with these machines in a clean environment created a medicinal setting. Where’s the screen emulsion, litho stone sander and liquid screen filler?

In dedicating a good few months to developing the zine at the School of Visual Arts Riso Lab, projects were difficult at times, and we uncovered the best parts of zine making. The Music! Our zine will always be a way to share our excitement for heavy music, we live it and breathe it from the way we dress, to the things we read, write and of course stream on our stereos. We are proud punks of color who cant help but talk your ear off about the latest bands and albums and we hope our readers get as geeked about this stuff as we do. For as long we rock to this music and mosh out at shows, there will be  zine. *See you in the pit!*

Upcoming Events Featuring Our Books:

#SummoningtheArchive Print Fest @ NYU |  Saturday, May 13th from 2-5pm at 20 Cooper Square. Details

BABZ Fair ( Bushwick Art Book & Zine Fair) | Friday, June 2, 7–9PM: by invitation only
Saturday, June 3, 1–7PM: free & open to the public
Sunday, June 4, 1–7PM: free & open to the public

Where:
Knockdown Center
52-19 Flushing Ave
Queens, New York 11378

 

The Problem with Shea Moisture

Brands still have a lot to learn about engaging on social media.

Its been about 24 hours since Shea Moisture, owned by Sundial Brands, got dragged through Twitter and Facebook for their poorly executed ad promoting the use of their hair care products on mainstream glossy and eurocentric hair types.

My interest is to take a closer look at their strategy to clean up the mistake since yesterday. It already appears they have gone to media outlets more so than the online customer base for setting the record straight. (FastCo, WashingtonPost, Huffpost) While they did release a detailed apology and pull the ad on Monday, the initial slap in the face continues to reverberate across the Internet, hitting Tumblr, Youtube and Instagram in waves of reaction and counter reaction from white women who use these products.

How does a company survive this sort of crisis when their products are specifically promoted online by both paid and unpaid supporters passionate about the brand and would never have grown this much in the past 10 years if not for the online natural hair community recommending the product line to all of their friends and followers?

Authenticity is critical to surviving the social media universe. If brands ever come across as superficial, insincere or manipulating, followers will pick up on it and drop them. Now, authenticity doesn’t always equal Truth. Sometimes a community will circle around an attitude or ideal, even if the content posted lacks any true data or fact.


Shea Moisture found itself caught up in ethnic erasure towards going mainstream when their actual follower base is a dedicated niche focused on validating the act of wearing natural African hair as a finished and complete hairstyle. Black women’s hair remains as political as ever, with thousands of us struggling to prove to our employers, families and partners that the hair growing naturally out of our head can stand on its own without the hyper use of chemicals or dyes to force it into European beauty standards.

So what now?

If Shea Moisture wants to survive this, they need to put up or shut up. Acknowledge and promote the unpaid bloggers, YouTubers and Instagram naturalistas who have supported them over the years and authentically show that Black women are a customer base they truly appreciate and will continue to support as they grow and expand to other markets. (Less talking more images, vids, podcasts, roundtables)

They need to connect 2 messages, that 1# They support and always will support healthy African hair care and 2# This is a global movement for healthy hair care for all women to be accepted for their non-traditional hair.

This sort of messaging transition has to take place in steps, and it won’t help to use the same blond models out of a John Frieda commercial to support a multi-ethnic community. The core base will not accept further erasure when they already feel that consistently from most beauty brands (from make up to lingerie, most companies don’t sell nude colors inclusive to Black consumers).

This is a chance for them to prove they want to globally validate coily, curly hair and the voices of WOC who rock it as beautiful and legitimate. But will they stand by Black women in more than just words? Let’s see how the drama shakes out in the coming weeks – can they turn this around?

*P.S. Just in case here’s a list of 20 Black owned hair care lines you can choose to support*

*P.P.S. Can I just say AS I AM is Really expensive? I want to try it but..damn! $$$*

#blkgrlswurld