Click Here to check out our 2016 Coloring Book- it’s free to download
Click Here to check out our 2016 Coloring Book- it’s free to download
I’m so proud of the Architects guys for releasing their latest album ‘All Our Gods Have Abandoned Us’ today in the States.
They are the last band from my college days that I personally supported as a fan and fellow musician. In earlier days of the Midwest metalcore scene, it was common for bands to fall apart in less than 2 years from loss of confidence and personal drama.
To help combat this my little sister and I would do our best to encourage the bands we liked most to keep making music, and stick with tough cross country touring so we could see them again. It became really important to not just support DIY band merch, but to help keep their self confidence up if the audience wasn’t sold yet on their musical style.
We’d meet up after shows, chatting over what was good about that nights performance and where they could improve; provide them snacks, candy and care packages for the road ;P it was a lot. So when bands like Architects would come back to town a year later saying they were still committed to this music it was a huge deal.
Glad to see how far we’ve all come from a little music community that no one thought would last over a decade or become such an international movement. We’ve all grown so much and their latest work ‘All Our Gods Have Abandoned Us’ speaks for many of us.
Architects Tour USA this year and will be in NYC on August 5th, 2016: Architects, Counterparts at The Gramercy Theatre
The Metal this summer season is heavy this year for the East Coast. I’m really bummed at all the great bands coming through like Deftones and Architects that I’ll miss during my August trip abroad, but I will be catching Manson and Slipknot at the beach 🙂 Plus Warped Tour is crazy heavy for 2016 with dozens of #metalcore bands rocking middle America and AFRO PUNK’s lineups are heavenly as well. For even more metal show listings check out Matt’s site nycmetalscene.com
Listen, grab tix early to keep costs down and if you can’t make it later just resell them online. \m/
May 17th, 2016: The Sword, Purson, From Beyond at Brooklyn Bowl
May 17th, 2016: Lamb of God at The Paramount
May 20, 2016: Apocalyptica, 10 Years, Failure Anthem at Irving Plaza
May 21, 2016: Emo Night at Irving Plaza
June 3, 2016: Gov Ball, The Strokes,The Killers, Death Cab for Cutie, Beck, Bloc Party and more.
June 4, 2016: WAX IDOLS & KING WOMAN: LEVITATE TOUR, w/ Primitive Weapons @ Saint Vitus, Brooklyn.
June 4, 2016: WSOU presents: Hatebreed, Devildriver, Devil You Know, Ashes Of Your Enemy at Starland Ballroom
June 6, 2016: Beartooth, Sylar at Webster Hall
June 8, 2016: PVRIS, North American Headline Tour w/ Lydia, CRUSIR at Webster Hall
June 10, 2016: Sworn Enemy, Maniac Rise at The Studio at Webster Hall
June 15, 2016: Unlocking The Truth (Album Release Show) at the Studio at Webster Hall
< Unlocking the Truth
June 16, 2016: The Red Jumpsuit Apparatus “Don’t You Fake It” 10-Year Anniversary at Webster Hall
June 17, 2016: Blue Oyster Cult at B.B. Kings Times Square
June 18, 2016: Rockstar Energy Drink Presents Taste Of Chaos – Nikon at Jones Beach Theater, Wantagh, NY: Dashboard Confessional, Taking Back Sunday, Saosin, Motion City Soundtrack, The Early November
June 18, 19, and 20, 2016: The Cure at Madison Square Garden
June 19th, 2016: Punk Island Fest: All Day – All Ages – All Free on Governor’s Island
July 2nd, 2016: The Iggy Pop Festival at Lucky 13 Saloon *Free event*
July 6th, 2016: Slipknot, Marilyn Manson, Of Mice & Men at Jones Beach Theater
July 6th, 2016: letlive., Seahaven, Silver Snakes, Night Verses at Irving Plaza
July 9th, 2016: Vans Warped Tour at Jones Beach Theater feat. Every Time I Die, Emarosa, Oceans Ate Alaska, Sum 41, The Color Morale, The Word Alive, Whitechapel
July 22-24: Panorama Fest on Randall’s Island, LCD Soundsystem, Arcade Fire, Kendrick Lamar, Alabama Shakes, FKA Twigs and more…
August 5th, 2016: Deftones, Refused at The Amphitheater at Coney Island
August 5th, 2016: Architects, Counterparts at The Gramercy Theatre
August 10th, 2016: Deftones, Refused at Stone Pony Summer Stage
August 13th, 2016: The Go-Go’s Farewell Tour at Central Park Summer Stage
August 27, 28, 2016: AFROPUNK FEST at Commodore Barry Park, Brooklyn. Featuring Janelle Monae, Cee-Lo Green, Ice Cube, The Internet, George Clinton, Saul Williams, Trash Talk, Tyler the Creator, TV on the Radio, Living Colour, Bad Brains
advice to young punks, by Pinkiest
– you don’t need to have a jacket with patches
– or army boots - or dyed hair or piercings or tattoos
– you definitely don’t need to be skinny, white, male, cis, or straight
– all you need to do is like punk music - don’t bother pretending to like bands you don’t; you’ll either get into them or you won’t and either way that’s okay
– if someone knocks you over in the pit and doesn’t apologize, don’t be afraid to call that fucker out
– make friends in the line for shows, you meet cool people that way
– graffiti is fine, but don’t steal shit if you don’t need it
– only you get to decide if it’s punk, fuck what anyone else says
– it’s more than okay to listen to nicki minaj now and then
– don’t worry abt being embarrassing: you are, and that’s fine
– do yourself a favour and listen to more female fronted/poc bands
– don’t let white cis men in the scene tell you shit
Reblogged from http://youngerheart.co.vu/post/127628617567
Check our interview with Papercuts Zine here>> http://clocktower.org/show/blkgrlswurld
Many thanks to Chris and Taylor of Paper Cuts Zine for inviting us to share our love of metal music on Clocktower Radio 😀
#BLKGRLSWURLD is a quarterly zine run by Christina Long and her younger brother and sister since 2013. As a trio of artists and writers they are known as Trifecta Studios. Being young African American metalheads sharing their love of the Metalcore music scene, they share footage from live shows and host open calls for art and prose. The zine is free to download online.
Born in Chicago and raised in Metro Detroit, Christina Long received her MFA in Printmaking from the School of the Art Institute of Chicago in 2012 and is also a violinist for NYC’s New Amsterdam Symphony Orchestra. Being heavily involved in the Metal community for over a decade, she cares about promoting the many women of color who love heavy music genres. #HeavyGirlsLoveHeavyMusic
Screaming Females, Priests, and Greg Fox’s Guardian Alien played energetic sets on March 15th, 2016 in AMC Empire in Times Square. Presented by Times Square Arts and Clocktower Productions and Clocktower Radio, this multimedia event was a fun celebration of the femme presence in DIY punk culture. Here are some photos of the zine fair and band performances.
#Blkgrlswurld Zine Spring Edition 4.2 is here and popping! The Zine is free to view, download or print 😀
On March 15, 2016 custom printed copies will be available for under $5.00 at the Primal Screams punk rock show and Zine fair in Times Square. 3 female led bands will play Tuesday, March 15th @ AMC Empire 25 theater, 7pm.
A pdf version can be viewed here
Thanks so much to all of our friends, artists and supporters. Couldn’t do it without you!
It’s finally here! Edition 4.1 is ready for download and printing for free.
The zine made a print debut last week at a Black Lez DIY Fest in Manhattan. Featuring a number of articles on the music scene in NYC and local events like Comic Con, take a peek at what’s going on in the underground 😉
Stay tuned for our quarterly open submissions contest later this October and coverage of touring bands like Korn, Atreyu, Bring Me the Horizon, From Autumn to Ashes and More.
We danced, we laughed, we sweat out our afros under the Brooklyn sun- Afropunk Punk fest rocked the neighborhood with alternative Nu Soul and fashion forward styles.
For people of color floating in the margins of alternative music, AfroPunk can feel like a national holiday. The one weekend a year you’re music interests and aesthetics about black beauty are validated. “So I’ve been styling this #twa right all along?! Go figure?” and “So that’s what Manic Panic looks like when you Really bleach first…maybe I should get that nose ring after all, looks good on her…”
I was happy this year to bring my lil sis along for the celebration, who like me comes from rural suburban roots where our interests in heavy rock and punk music were considered Extremely unusual for little black girls to be interested in. From the moment we got into the ticket line I could tell it was her Emerald city too. So many folks passionate about individuality and self expression. The love was deep!
However, a few hours into the first day of the fest, she turned to me with a very valid question. “Where’s the punk rock music?” I nodded with a solemn face, feeling too tired to acknowledge the truth. The rock scene that had started the movement had all but been driven out of the event these last few years and this year, with tickets over $50, the presence of the original punk rock scene and the local kids that normally would have attended for free had all but vanished.
I’m a metal headbanger by default so I wasn’t expecting full on circle pits or crowd surfs, but it was clear this year that only a couple of bands such as LetLive. and Suicidal Tendencies were even remotely hard core rockish in some way. The metal scene generally has a lack of focus on fashion or what people look like- it’s all come as you are, whatever is comfy for you. I’ve hung around the NYC punk scene enough to know they definitely care about fashion statements, but you need more than that to reside in their anti-establishment, DIY headspace. Yes, I know Lauryn Hill had to rep the nu soul/neo soul movement and Lion Babe is certainly on the fringes of pop as much as FKA Twigs, but this year’s fest relied too heavily on electronic DJs of little distinction and the saving grace of Lenny Kravitz closing out the event.
I know so many punk, hardcore, post-hardcore, metal and metalcore bands (locally and internationally) with multicultural members that could have exposed the Brooklyn scene to heavier, thrashier performances that still held a taste of R&B, bluegrass, hip hop or pop. Starting with Coheed and Cambria, Bloc Party, Counterparts, and Dance Gavin Dance- ending with The Word Alive, Alesana, Deftones, and Every Time I Die…come on guys keep up! Anyone one of these bands would have driven other underground music fans to the fest and inspired a more diverse mingling of alternative music cliques and communities.
As the AfroPunk brand continues to expand to other cities, I hope they really listen to their audience, lower ticket prices to under $20 for kids under 21, and book more musically diverse bands towards creating a space that is less predictable and more supportive of all things misfit.
Everyone’s revving up for the AFROPUNK fest set to take place in Brooklyn later this August so it was great to get a taste at Lincoln Center of the fun that’s only weeks away. I learned my lesson last summer, that free events in NYC can generate substantially long lines and hours of waiting, with no promise of everyone getting a chance to see the show. I enjoyed how AFROPUNK approached this event, by offering a couple of stages to attend.
When I first arrived at Lincoln Center, I drifted towards the east side of the Metropolitan Opera house, hearing Brooklyn based duo Chargaux performing and had assumed that this was where Vintage Trouble, The Skins and LION BABE were set to play as well. It was a modest size crowd seated in the shade with plenty of room for people to stand and watch. The vocal/fiddle duo and their band put on a nice show that was charming and welcoming. They were so bubbly and full of energy-it’s nice seeing the more relaxed musical styles blend amongst structured classical tones of the violin and viola. I’m really glad to have caught their act because…
Many folks in the crowd had assumed the same thing, only to discover there were more performances on the west side of the theater that had already started. Long lines and overcapacity ensued and I only lasted 20 minutes before moving on to scoping out local restaurants instead. Girls gotta eat!
All in all, I’m glad I was able to catch Chargaux’s more intimate show, while everyone else scrambled in vain to get into the Vintage Trouble show. I appreciate the festival and venue giving folks a couple options to see, providing some flexibility to the performances.