“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work. Home of the renowned Barnard Zine Library, the College is the ideal site to feature some of the boldest, most original and creative examples of micropublishing. The event is coordinated by Barnard’s zine librarian Jenna Freedman, Jordan Alam ’13, and other zine makers, including Feminist Zine Fest cofounder Elvis Bakaitis, author and artist of the Homos in Herstory minicomics series. Free tables are available to zine-makers interested in exhibiting their work” https://feministzinefestnyc.wordpress.com/
I’ve been a zinester since 2014, toting my lil hand made books around to DIY events. We table and vend with fellow artists, often feeling like Lucy with her Psychiatric Help Stand, sharing with any who will listen the content of our books with passion and understanding. Some folks really don’t understand it, while some really do. It’s a great space to share what you truly love, because somebody out there, even if its only 2-3 people, cares just as much about talking avocados as you do.
Events on the tour:
Paper Jazz Fest, Brooklyn NYC
Betty Zine Fest, Newark NJ
Boston Art Book Fair, Boston MA
Not Just A Boys Club Fest, Teaneck NJ
Punx of Color 4, Brooklyn NYC
The BlkGrl book tour was my first attempt at following a dedicated schedule of events in locations outside of Manhattan, to help spread the #Blkgrlswurld message as far outside of NYC as possible. Black girls love metal and punk rock too! It challenged me to create a traveling system to affordably leave the city and arrive at any venue with a pop up shop out of a single bag I could carry on my own. (This is NYC, I don’t have a car ok?) Traveling on buses, trains and taxis to these other places tested my dedication to the project. Was I willing to get up at 6am for my zines? Here are some things I learned about being on the road with our lil books.
Punx of Color are everywhere.
Here at #Blkgrlswurld we aren’t always a certain an event or venue we attend is appropriate for our project. When tabling events like the Boston Art Book Fair, this became a critical question. Our $3 coloring books standing next to $75 high quality art catalogs? Likely a sign that our intended audience wont be strolling through this event. But they did anyway. There was not much diversity at that fair, but when a few Black youth did stop by we had great conversations about music and a few sales. Never underestimate who will take interest in your work.
Some people will never understand us, and that’s ok.
We stepped into new spaces and venues – that means local audiences are new to our work and what we’re about. Metal is not a widely understood musical form, so that alone was confusing to some along with the layer of being femme and Black. *Shrugs* All of these adventures help me determine what events to do next year.
Taking a stand empowers those around you.
Our focus has always been on young folks between ages 17-25 with little pocket money, that are curious about new music. Especially if they identify as outsiders, geeks or weirdos. That will always be the community we represent and sharing with these kids a safe space to express themselves can save lives.
I encourage everyone to start a zine, a blog, a fan club. Every time an awkward Black girl who doesn’t feel like she belongs any damn where stumbles across an artwork or photograph of women who look just like her, I feel a little better. Let’s all strive to create content that represents who we are and make sure its accessible. As I sat at these events with my little table, I met a number of fans this way. Women who had been searching for something to relate to, and see themselves in. Some that found us had already collected our items at previous events or online – they continue to comeback because of community. We are out here, together at shows, festivals and record fairs.
I fucking love Metal.
From Boston to New Jersey we did our best to keep our schedule loose, giving us a chance to meet more people and explore the visited cities. But the true connection to all these stops became the metal music blasting out of my headphones. At one point I wondered, is this really what I’m about? Hells yeah! Leaping off a megabus in platform towering boots, chewing bubble gum in band tees and dark glasses while the music blasts on in my ears. My favorite albums energized me to keep going, to keep traveling and to keep celebrating this scene and the women who support it. We know we don blend it with the people around us and that’s ok. I know where to go to spend time with my peeps, hopefully our books help that happen too.
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Ahh, so many lovely Black & Brown folks checking out self publishing & getting excited to make their own #zines ✨many thanks to @3dotzine for inviting us to table ✊🏾 . . . @devinnmorris @nontsimutiti @schomburglive #zinefair #zinefest #harlem #riso @endlesseditions #blkgrlswurld #blkcreatives #blackjoy #blkprint #blm #blacktranslivesmatter #punxofcolor #woc #qwoc #heavygirlsloveheavymusic
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Nicole Kelly & Phoebe Ünter of the podcast Bitchface came by to chat zines & #woc in the #metalscene 😙check their great show on iTunes. … #Repost @_anicolekelly TFW YOURE MAKING EXACTLY THE ART YOU WANT ON ONE OF THE BEST TRIPS OF YOUR LIFE W ONE OF THE BEST PEOPLE TO MAKE ART WITH 😭 . . #blkgrlswurld #zine #risoprint #punxofcolor #afropunk #bitchfacepodcast
Ahhh! Our fav Harlem spot to uncover Black history is hosting a zine event this week and we’ll have a table 😀 😀 😀 Tuesday, June 27, 2017, Zine Fair from 4-6pm followed by Panel Talk at 6:30 p.m.
We love every chance to expose young brown folks to alternative music and media that represents and validates our shared quirky, sometimes geeky interests. #PUNXSOFCOLOR
“The resurgence of zines—self-published limited-distribution works—is stemming the tide of erasure, disrupting publishing, and offering creative spaces for diverse voices within marginalized communities. Remembering zines like FIRE!!, created in 1926 and “devoted to the young negro artist,” author Steven G. Fullwood will join in conversation with contemporary zine creators Devin N. Morris (3 Dot Zine), Nontsikelelo Mutiti (Nontsi), Kevin Harry (KHzines), and Jermel Moody (maple:koyo) to elaborate on their zine-making practices and impact on publishing and creativity. The program will also feature a marketplace of zines selected in collaboration with Morris, Moody, and the Schomburg Shop.
FIRE!! contributors included Harlem Renaissance figures Langston Hughes, Zora Neale Hurston and Aaron Douglas.
First come, first seated
For free events, we generally overbook to ensure a full house. All registered seats are released 15 to 30 minutes before start time, so we recommend that you arrive early.”
Schomburg Center for Research in Black Culture | 515 Malcolm X Boulevard | New York, NY 10037
Phew! We spent the 1st four months of this year printing and editing new work and now we’re ready to share it with you \m/ this is the 1st year my sibs and I have Really dug deeply into the purpose of the zine and what inspires us to keep it going. Up until this season, we’d usually only focus on the project 2-3 times a year for a few weeks, collecting drawings and writings from our sketchbooks and building something collaborative. In January we heard about a Zine making/small press course at the School of Visual Arts and jumped in with both feet!
So What is a Risograph?
Well, you could term it one of those things that’s so mundane, its cool again. Risograph is a brand of digital duplicators manufactured from Japan since the 1980s. Intended for high volume office printing like Xerox machine were, they have mainly been marketed to law firms and city offices where 1000s of text heavy pages are printed daily.
Printmakers and designers have warmed up to these machines due to their archival ink quality and soft textures that can occur from the rice paper master (A fine stencil the ink passes through) the machine creates to duplicate files. With soy based inks and rice paper stencils, its quite the toxic free endeavor in comparison to the intense chemicals, varnishes and alcohols many of us have been managing in traditional printmaking processes.
The average riso machine usually only holds 2 ink colors at a time, so 4 color printing requires registering your prints and switching out ink tanks. At times its hard to imagine business folk in suits actually get this manual in an office but thats still its main function. LOL!
During my season at the SVA Riso Lab, I printed on various weights of paper and sticker sheets. Overall I found the process of editioning with these machines really fast and efficient, but at the same time lacking the monotype flexibility I’m able to accomplish during a screenprinting session. I gotta admit I missed getting a little dirty in the shop, but that’s my printmaker side I guess. Working with these machines in a clean environment created a medicinal setting. Where’s the screen emulsion, litho stone sander and liquid screen filler?
In dedicating a good few months to developing the zine at the School of Visual Arts Riso Lab, projects were difficult at times, and we uncovered the best parts of zine making. The Music! Our zine will always be a way to share our excitement for heavy music, we live it and breathe it from the way we dress, to the things we read, write and of course stream on our stereos. We are proud punks of color who cant help but talk your ear off about the latest bands and albums and we hope our readers get as geeked about this stuff as we do. For as long we rock to this music and mosh out at shows, there will be zine. *See you in the pit!*
Upcoming Events Featuring Our Books:
#SummoningtheArchive Print Fest @ NYU | Saturday, May 13th from 2-5pm at 20 Cooper Square. Details
BABZ Fair ( Bushwick Art Book & Zine Fair) | Friday, June 2, 7–9PM: by invitation only
Saturday, June 3, 1–7PM: free & open to the public
Sunday, June 4, 1–7PM: free & open to the public
52-19 Flushing Ave
Queens, New York 11378
Click Here to check out our 2016 Coloring Book- it’s free to download
This is quick reminder from all of us at #Blkgrlswurld Zine to please register to vote so that you can participate in the November U.S. Presidential election. If you notice ads or billboards telling you its too late or that you may not qualify, IGNORE them – double check with the offices that know for sure like your local DMV or Secretary of State Office.
For NYC folks the deadline to register by mail is October 14, 2016. HeadCount.Org offers voter info for every state if you live elsewhere. New Yorkers can also register to vote online through the Department of Motor Vehicles (DMV)
Forget about the news, and what your friends are saying or what social media is saying about the presidential race. We don’t have a crystal ball to look ahead and see where all of this lands, but the one valuable thing each of us can do is participate in voting.
The presidential election takes place on November 8th, 2016.
And if you Really want to see some change in your community, spend an afternoon on Google checking out your local representatives who are also on the ballot towards making a more informed decision that will have direct impact on your block. Its more valuable than donating to that cool project you just saw on Kickstarter, we promise…
How do you deal with an album that presents itself as not likely to ever be performed live?
A musing I heard from Cult of Luna in a Spotify: Metal Talks interview, the long distance collaboration between Cult Of Luna based in Sweden and Julie Christmas based in Brooklyn is a stellar pairing or ethereal vocals with heavy forward moving riffs.
From afar the album had less than 10 songs but in progressive rock tradition you’re still taking care of in moving songs that drift into the abyss for 7 minutes and longer. (I long for the days when a 2 hour album consisted of 3 songs or movements.)
I highly recommend the song, “The Wreck of S.S. Needle” and if you’re not familiar with the talents of Julie Christmas, check out her performance below. The way she controls her voice is a true skill.
As it happens the artists are actually going to do a brief European tour of the album this fall. Check this statement from Cult of Luna below:
“Mariner was never supposed to be played live. It was under this premise that we started working together with Julie over two years ago.
The goal was to release the album, which was hard enough considering that we live on two sides of the gigantic Atlantic ocean. But if there’s one thing that life has taught me, it’s that you should never say never – however unlikely an event seems to be.
Usually unlikely events are bad things that happen despite all precautions but in this case… well, let’s just say that the outcome is yet to be decided.
The stars have aligned perfectly and I am going to have take back what I’ve repeated in numerous interviews this past year: that Mariner will not be played live, because it will.
We have managed to sync our schedules and in November we will do a select few shows in Europe. Note that we will only play Mariner from start to finish.
There will be five Cult of Luna & Julie Christmas shows in Europe, nothing more and nothing less. There are no plans to perform the album live again.”
Worth a flight to Stockholm? I’m thinking yesssssssss 😀
Interviews from participants of the second annual Pioneer Works Zine Exchange on May 13, 2016. The sessions were orchestrated by Clocktower radio Paper Cuts host and zine expert, Christopher Kardambikis.
The playlist of participants includes:
#BLKGRLSWURLD Zine (on mandolin)
3 Dot Zine
Pioneer Works’ Zine Exchange brings together zine authors and aficionados to display, trade, and sell their zines.
Clocktower radio host DJ Black Helmet served as Master of Ceremonies. The night included a celebration of three inaugural titles: At The National Monument / Always Today by poet Ted Dodson, by artist Christopher Kardambikis, and The Making of Gertrude Stein: Charles Ruas and Janet Hobhouse in Conversation, from Clocktower Radio’s archives.
Thanks so much to Paper Cuts for indulging us! xoxo #Blkgrlswurld
I’m so proud of the Architects guys for releasing their latest album ‘All Our Gods Have Abandoned Us’ today in the States.
They are the last band from my college days that I personally supported as a fan and fellow musician. In earlier days of the Midwest metalcore scene, it was common for bands to fall apart in less than 2 years from loss of confidence and personal drama.
To help combat this my little sister and I would do our best to encourage the bands we liked most to keep making music, and stick with tough cross country touring so we could see them again. It became really important to not just support DIY band merch, but to help keep their self confidence up if the audience wasn’t sold yet on their musical style.
We’d meet up after shows, chatting over what was good about that nights performance and where they could improve; provide them snacks, candy and care packages for the road ;P it was a lot. So when bands like Architects would come back to town a year later saying they were still committed to this music it was a huge deal.
Glad to see how far we’ve all come from a little music community that no one thought would last over a decade or become such an international movement. We’ve all grown so much and their latest work ‘All Our Gods Have Abandoned Us’ speaks for many of us.
Architects Tour USA this year and will be in NYC on August 5th, 2016: Architects, Counterparts at The Gramercy Theatre